Snooky young - scatman crothers scat man crothers snooky and marshal's album

Originally an Armstrong follower, Young moved stylistically to incorporate something of Roy Eldridge's fire, spiced by a boppish touch or two, and was known for his rubber plunger-muted solos, eliciting all sorts of fearsome growls and shrieks, these somewhat at odds with his sunny nature. His albums for others were many. Those under his own name numbered just three, each revealing that he was far more than just a lead trumpeter, more a soloist who combined "exceptional imagination, taste and humour", according to one critic.

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Rock music developed from the rock and roll music that emerged during the 1950s, and includes a diverse range of subgenres. The terms "rock and roll" and "rock" each have a variety of definitions, some narrow and some wider. In determining criteria for inclusion, this list uses as its basis reliable sources listing "rock deaths" or "deaths in rock and roll", as well as such sources as the Rock and Roll Hall of Fame .

Veteran swing trumpeter Snooky Young's second session as a leader finds him co-leading the date with altoist Marshall Royal . Backed by a very supportive rhythm section (pianist Ross Tompkins , rhythm guitarist Freddie Green , bassist Ray Brown and drummer Louie Bellson ), the impressive frontline plays pleasing and melodic solos that occasionally get a little heated. Guest vocalist Scat Man Crothers sings his "Mean Dog Blues"; there are recent originals by Ray Brown and Tom Peterson , along with a three-song ballad medley, and the sextet romps on "I Let a Song Go Out of My Heart," "Limehouse Blues" and "Should I." Subtle and tasteful music.